Mousse

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

Reference monograph surveying ten years of work centered around painting, with forays in other forms of art. The Italian artist's conceptual universe interweaves personal experiences with references to art history, literature, and music as well as to cinema.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

First major monograph dedicated to the British artist, bringing together visual documentation, texts addressing the artist's multifarious practice over recent years, and a comprehensive chronology spanning his twenty-year career.

Catalogue of the eponymous exhibition at the Nordic Pavilion at the 57th Venice Biennale, featuring works by six artists from different generations: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi “Sleeping” Myllymäki, and Mika Taanila.

Monographic catalogue: a selection from the italian artist's most recent works—acrylic drawings, watercolours, and the Mirrors series.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

Kathy Noble on narcissism in recent art; Robert Barry on Erkki Kurenniemi; John Knight; Seth Price; Julia Weist & Nestor Siré; Johannes Paul Raether; Yan Xing; Trix + Robert Haussmann; Kevin Jerome Everson; Leilah Weinraub; Lantian Xie; Basma Alsharif; Duane Linklater; Robertas Narkus; “Let's Make Protest Great Again” by Jens Hoffmann; “Weeping, Dreaming, Fucking, Laughing. This Is How Some Revolutions Get Started” by Andrew Berardini.

This exceptional catalogue follows an exhibition of video works from the La Gaia Collection in Italy. It features documentation of the show and individual presentations of works by the major video artists of the 20th century to nowadays: Marina Abramović, Pierre Bismuth, Mircea Cantor, Rä Di Martino, Ion Grigorescu, Gary Hill, Jonathan Horowitz, Alfredo Jaar, William Kentridge, Adrian Paci, Rosemarie Trockel, Valie Export, Bill Viola…

The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

2-volume set bringing together a visual catalogue of the 2016 Dhaka Art Summit and a conjunct reader addressing the themes that informed the Critical Writing Ensembles—an international platform dedicated to art writing—which gathered during the South Asian art festival.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015.

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Dean Daderko, Arthur Jafa and Sondra Perry on blackness, technology and Alien ontologies; Stefanie Hessler exchanges oceanic ideas with Heidi Ballet; Puppies Puppies talk to Tenzing Barshee; Hannah Black as seen by Rahel Aima; essays by Alexander Provan, Orit Gat and Jens Hoffmann; William Pope.L and Mia Locks; Sam Thorne with Marianna Simnett; Anna Gritz and Eric Baudelaire; Luke Willis Thompson; Basel Abbas & Ruanne Abou-Rahme; Raúl de Nieves, and more.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Catalogue analyzing the oeuvre of Kosovan artist Petrit Halilaj from multiple perspectives, through a selection of essays by Andrea Bagnato, Leonardo Bigazzi, Adrian Paci, and Roberta Tenconi.

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

Publication documenting a series of sculptural works focusing on everyday items.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

A mystery tale illustrated with artworks by twelve contemporary artists.

Samson Young; essays by Hendrik Folkerts, Michael Taussig, Benjamin Thorel, and Tim Griffin; Rayyane Tabet in conversation with Haegue Yang; Laura McLean-Ferris on empathy and the confessional; round-table on materialist history of exhibitions; Kishio Suga by Stuart Munro; Andrew Berardini on flowers and art; artificial creativity by John Menick; Lawrence Lek with Cécile B. Evans; Kasper Bosmans; and more.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

A photographic attempt to capture the elusive nature of the Californian landscape.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

Ieva Misevičiūtė, prosthetics and sculpture, Anne Imhof, native North America, outsider aesthetics, New Scenario, a special section on artists curating exhibitions, Ronald Jones, Gary Indiana, Willa Nasatir, Ragna Bley, Noah Barker, Isiah Medina, the year 1972, relational ontologies, Geoffrey Farmer and Dora García, the emergence of the “Supergroup,” Cecilia Bengolea and François Chaignaud, radical domesticity: Morag Keil and Georgie Nettell, an essay on dress-up…

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

A deconstructed overview offering the widest selection of Jodice's works ever presented: more than twenty years of eclectic art—alternating between photography, videos and installations.