Mousse

A panoptic cinema.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

An exploration of the absence and presence of the (red) color.

Sophie von Hellermann by Tenzing Barshee; David Horvitz in Conversation with Yann Chateigné; Helen Lundeberg by Andrew Berardini; Queer Abstraction by Travis Jeppesen; An Unpardonable Mannerism of Style by Rose Vickers; The Art of Judging a Book by Its Cover by Dieter Roelstraete; Tomás Saraceno; Mario García Torres...

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

Catalogue of the first international retrospective dedicated to Brazilian-Italian painter Alfredo Volpi: a thorough exploration in words and images of the painter's peculiar life and career—from the bounds and relationships with the Brazilian art community, to his special link to the city of São Paulo and his adopted country, leading to the development of his unique artistic language.

This catalogue gives a critical overview of a key American Pop artist focusing on specific themes within his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Includes essays by Chris Sharp and Sabrina Tarasoff.

The sculptures of Kathleen Ryan, by Andrew Berardini; Zoë Paul; the emo-romantic turn, by Michal Novotný; the experimental theatre of Reza Abdoh; Jennifer Bolande by Marie de Brugerolle; Virgil Abloh; Takesada Matsutani by Hans Ulrich Obrist; women artists in the Middle-East, by Omar Kholeif; Phoebe Berglund & Madeline Hollander; exhibition making in the Anthropocene, by Chris Sharp; João Laia by Joshua Simon…

The Black Flame of Paradise is the first novel by American artist Zachary Cahill. The book is a proposition for a new model of religious life grounded in the artistic and personal relations to the divine.

This monograph offers a portrait of over a decade of work by international artist Andrea Galvani. It is a visual excavation into the rigorous research, scientific methodologies, and philosophical thought that underscore his practice. His most notable projects are examined through essays, field notes, calculations, cartographies… in support of a better understanding of a both demanding and fascinating work.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

Acclaimed for his dark depiction of the American suburbs, painter Eric Fischl sometimes positions artworks within his compositions as symbolic elements. This thematic catalogue brings them together, including more than 120 painting reproductions, and an interview with the artist by Dallas Contemporary Museum director Peter Doroshenko.

This publication by photographer Giovanna Silva and writer Peter Fröeberg Idling retraces the history of Cambodia, creating a fictional and personal story that looks at the country through the eyes of the two authors. Today's Phnom Penh cityscape photographs take on a singular dimension in comparison to the ruins of Khmer temples, with a sense of emptiness and abandonment that resonates with the invasion of Phnom Penh by the Khmer Rouge in 1975.

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).

Kris Lemsalu by Andrew Berardini; Mitch Speed on the anti-power of the found object; an essay on photography and Instagram by Nick Currie; Sabrina Tarasoff on Beyond Baroque Literary Arts Center; Ana Teixeira Pinto on futurisms; the Women's History Museum; Ericka Beckman, Dara Birnbaum, Lynn Hershman Leeson in conversation with Emily Watlington; Bouchra Khalili; Kate Newby…

A trilogy on the artistic development in Asia from 1998 to 2018.

Publication documenting the eponymous permanent installation by Kiefer at Pirelli HangarBicocca in Milan. First created in 2004, the work features seven “tower sculptures,” now combined with five large-format paintings, made between 2009 and 2013. The book gathers essays, a conversation with the artist, an exhaustive photographic documentation, description of the installation, and a bio-bibliography.

Final chapter of a publication series by Ugo Rondinone, this catalogue presents the artist's exhibition on the occasion of the reopening of the Bass Museum of Art in Miami. The volume also takes a look at the Museum's acquisition of Rondinone's Miami Mountain, which follows his iconic mountain series, recognizable for their brightly colored, fluorescent contrasting palates.

A collection of texts on photography and photographers by Italian gallerist Massimo Minini. The publication also explores relationship between photography and sculpture through sections dedicated to Adolfo Wildt and Mimmo Paladino.

Continuum is a catalogue dedicated to the first group exhibition set in the restored wing “Ala Scaligera” of the Borromeo Castle, on Lake Maggiore. It features an impressive combination of great artists, with Giovanni Anselmo, Vanessa Beecroft, Daniel Buren, Sheila Hicks, Anish Kapoor, Giulio Paolini, and Ettore Spalletti.

The artistic development in China from 1998 to 2018.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

This first monograph on Paulo Nimer Pjota, profusely illustrated and collecting several essays and a long conversation between the Brazilian artist and Kiki Mazzucchelli, takes stock at Nimer Pjota's signature condensation of pictorial concerns and life lessons. His layered works, like modern, rough palimpsests, are testaments to the artist's collapsing of high with low, society and history with the personal and the marginal, often told through readymade details and objects that Nimer Pjota corrals in front of the wall pieces.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

Saâdane Afif, Jacqueline Kiyomi Gordon & C. Spencer Yeh, Pan Daijing, Dominique Gonzalez-Foerster, Forensic Architecture & Metahaven, T. J. Demos, Nicolas Moufarrege by Élisabeth Lebovici, Mounira Al Solh, and Dean Daderko, Lisa Ponti by Hans Ulrich Obrist and Franco Toselli, Dieter Roelstraete, Vivan Sundaram, Lin May Saeed, Post-Performance Future by Marie de Brugerolle…

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

Catalogue of the second edition of Lulennial, a biennial organized in the small space of gallery Lulu, in Mexico City. The twenty-two artists invited by curators Chris Sharp and Andrew Berardini met around one subject matter: fruit.

The publication is the first comprehensive study of Baruchello's relationship with the moving image from the sixties on.

Rita Mcbride, Julia Scher, Lu Yang, Michael Stevenson, Alexandra Pirici, Martin Arnold, Erika Verzutti, Julia Phillips & Aaron Gilbert, Simphiwe Ndzube, Diego Marcon, Tiona Nekkia Mcclodden, Diamond Stingily, Meriem Bennani, Siri Aurdal, Asad Raza, Lydia Ourahmane…

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Special issue dedicated to the relationship between and mutual influence of exhibition display and contemporary art practices. A pool of guest contributors—including Hans Ulrich Obrist, Mario García Torres, Simon Starling, Jens Hoffmann, Kim West, Liam Gillick, Gabriel Sierra, Morgan Fisher, Willem De Rooij, Céline Condorelli, and more—were invited to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

This monograph offers a rich critical overview of the work of Luca Bertolo from 2012 to 2017, with essays by Craig Burnett and Dieter Roelstraete and an interview with Antonio Grulli.

Catalogue of the eponymous exhibition held at the Chiostri di Sant'Eustorgio museum complex in Milan: the works of Adrian Paci enter in dialogue with the frescoes and the space of the Diocesan museum, and draw on a narrative dominated by stories of migration and the relationship to religion.

Interviews with Frieda Toranzo Jaeger, Rana Hamadeh, Aria Dean, Barbara Chase-Riboud, Beatriz Santiago Muñoz, Lin Ke, Yasunao Tone, Timothée Calame, Sara Deraedt; round-table on the relations between art, dance, and theater; Yann Chateigné's notes on time; Kathy Noble on institutional trauma; Jens Hoffmann, Candice Hopkins, Chus Martínez, and Ingo Niermann on issues related to cultural appropriation; Sofia Stevi by Andrew Berardini; conversation with Liz Craft and Stanya Kahn; the use of augmented reality in arts; round-table on performance studies; Hendrik Folkerts on monumentalization.

What defines cultures? How enduring are they over time? And where are the origins of the foundations of what we regard today as European culture? This catalogue examines questions that emerge as soon as the discussion turns to culture. It gathers works by Jonathas de Andrade, Lothar Baumgarten, Yervant Gianikian & Angela Ricci Lucchi, Friedemann von Stockhausen, Clemens von Wedemeyer, and Aimée Zito Lema.