Sternberg Press

Fully illustrated 2nd edition with a new introduction and afterword by the author, annotated artwork illustrations, a special insert by Paul Chan, and flip-book sequences from two films.

A new reading of the relationship between art and the "question of style", in a social perspective.

In several theoretical essays, dialogues on collaborative projects and reflections on his own work, the architect Nikolaus Hirsch explores the critical transformations of contemporary space and its effects on spatial practice.

Exploring the boundaries of scientific practice and art.

This book provides a theoretical and critical framework to examine how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

In all of his works the Danish artist demonstrates an interest in an expanded notion of ecology, one that encompasses cultural history and sociopolitics as well as natural resources.

Agenda is an ongoing project by graphic designer Manuel Raeder which focusses on different methods of how people organize, in a personal or non-personal way, their time.

An unique compilation of writing around art and cultural politics in America since 2000 (Giorgio Agamben, Bernadette Corporation, Trisha Donnelly, Isabelle Graw, Robert Morris, Seth Price...), as an addendum to the traveling exhibition curated by Daniel Birnbaum, Gunnar Kvaran and Hans Ulrich Obrist.

This first monographic book discusses issues of art in public space and the social-political implications of Beutler's work.

Taking as their starting point one of the oldest objects in the collection of the Rijksmuseum, a moon rock, artists Bik Van der Pol invited different writers to comment on issues of site-specificity, museum collections, and space law.

A fully illustrated, artist-designed catalogue.

Drawing upon the classic notion that flowers are imbued with meanings and a specific set of semantics with idealistic and hopeful connotations, Sicily-based artist Aleksandra Mir has edited and revised the botanical code in a more socially relevant fashion.

A novel inspired by a year in the life of Richard Dadd, a great Victorian painter and inmate of London's Bethlem Hospital – more commonly known as Bedlam.

The Populism Reader accompanies Populism, an exhibition project in four European cities exploring the relationships between contemporary art and current populist cultural and political trends.

A book conceived as an extension of Melik Ohanian's film Seven Minutes Before, with contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro and Robert Whitman.

The Populism Catalogue documents the namesake exhibition and features works of fiction as a literary approach to the theme of populism.

A dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann, in a record-size album, featuring the electronic music commissioned for the piece.

Initiated by artist Rirkrit Tiravanija, An innovative publishing format for artists, photographers, architects, musicians, poets, and other groups and individuals that can join in and collaborate any time, from anywhere.

A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum's Chronology was presented in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence."

The art of postproduction as a response to the proliferating chaos of global culture in the information age.

The first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison's videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

Catalogue of an exhibition at the JFK airport, closed by the authorities just after the opening night party (with Vanessa Beecroft, Douglas Coupland, Kendell Geers, Dan Graham, Fabrice Gygi, Mark Handforth, Ryoji Ikeda, Jonathan Monk, Tom Sachs...).

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

The films, photos, installations, and graphic artworks of Austrian artist Markus Schinwald create a highly charged aesthetic collection of curios in which the human being stands in the focal point of observation.

How can the events in which we are supposed to participate be translated into experience? How can we represent ourselves in a History that is being written in terms of the economy and the stock market? Along these questions, French author Jean-Charles Massera discusses the works of various artists (Vito Acconci, Stan Douglas, Felix Gonzalez-Torres, Pierre Huyghe, et al.) and film-makers (Jean-Luc Godard, Wong Kar-wai, Nanni Moretti, Pier Paolo Pasolini, et al.).

This book, part psychedelic philosophy, part biography, is the first to present Sture Johannesson's work in depth, documenting his affiliations with the “high” underground and the punk movement, his activism and his radical exploration of the relationships between art, politics, technology, and human consciousness.

This catalogue is the most comprehensive treatment of Michaela Melián's œuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist's work.

With its comprehensive illustrations and essays, including a text by the artist, this book features Odenbach's most important works.

Non-Places questions the redefined relationship between public and private space as well as the phenomenon of modern “nonplaces,” which appear to be everywhere and nowhere at the same time: airports, shopping malls, anonymous new suburbs, or international franchise companies.

Neue Welt (New World) documents a group show which investigates the political and social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space and the effects of a globalized economy.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

Urlaub constitutes Genzken's multilayered inquiry into the meaning of work and leisure.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

Milk as a bio-cultural substance (texts by Heather Paxson, Esther Leslie & Melanie Jackson, Harry G. West, Vinciane Despret, Chris Fite-Wassilak and Richie Nimmo).

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating?

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

First monograph.

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

Everything Passes Except the Past takes an artistic and discursive approach to coming to grips with a colonial past that remains present in ethnographic museums, public space, and image archives.

The relationship between art and cybernetics and their intersections in the past and present.

Twenty authors and artists reinvent our relationship to nature.

An overview of how creative practices are modifying the ways we think about both knowledge production and research in the cultural sector and in academia.