Mousse

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

First monograph.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

Kandis Williams, Rose Salane, Peggy Ahwesh, Elene Chantladze; essays by Dodie Bellamy, Estelle Hoy, Pablo Larios...

Contemporary artists and art professionals consider the concept of beauty in art and in their own practice.

The publication Bande à part discusses the reasons, means, and rationales of a range of recent independent art institutions, which often have a small economy yet create a considerable impact within their respective art scenes.

Retrospective monograph.

An investigation into the history of Chilean medicine, by the Italian artist and filmmaker.

A photographic dive into the history of the Marconi Studio from 1968 to 1978.

New monograph.

Artist's book.

Monograph dedicated to the corpus with which the Israeli artist explores, like an archeologist, the historical and geopolitical dimensions of territorialization, colonization, migration and transgression of borders, from issues related to the history of its country of origin.

A project for which artist Simon Moretti invited fifty-one artists to supply a text that they had written or found, to be considered as part of a collaborative artwork to represent their thoughts in the current charged moment in history.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.

The story of a photographer's journey to capture the soul of a place through Intentional Camera Movement photography.

Reference monograph.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

Travis Jeppesen revisits Éric Rohmer's The Green Ray; ten shortfictions by Nick Currie on works by Joachim Bandau; Patricia L. Boyd speaks with Dora Budor on probing the architectural, emotional, and psychological boundaries of an institution; Fahim Amir in conversation with Sohrab Mohebbi; focus on Julie Becker; Andrea Viliani on Giuseppe Desiato's autonomous, experimental, and both intimate and radically political practice; Tarek Lakhrissi in conversation with Hans Ulrich Obrist; Ella S. Mills on Ingrid Pollard...

Liu Xiaodong's series of paintings from the Texas-Mexico border.

Industrial production processes applied to literary translation and cultural creation.

Drawing as a sculptural medium.

First monograph.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

Retrospective monograph.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

Retrospective monograph, aiming to merge the artist's multifaceted output, playfully encouraging imagination and changes in perspective.

New monograph.

The new collection of drawings by the Portuguese artist.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

Mark McKnight, Estelle Hoy, Mitch Speed, Cudelice Brazelton IV, He Xiangyu, Gianluca Concialdi, Samuel Hindolo, Phung-Tien Phan, Trulee Hall, Alex Ayed, Tiffany Sia, Erna Rosenstein, Laura Grisi, Duan Jianyu , Miho Dohi , Stella Zhong , Yalda Afsah, book reviews by Taylor Le Melle...

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.

The intersection of walking and collecting.

Mario Pfeifer's most extensive monograph to date.

New monograph.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

First comprehensive monograph.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

The first comprehensive publication to cover the artist's output from the last ten years.

An unusual vantage on the history of cinematic production in the twentieth century.