Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

A collection of interviews with artists and curators.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

A study of the work of Olivier Mosset in 46 chapters.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market.

First monographic book on the unique work of Korean-American artist Theresa Hak Kyung Cha (1951-1982), at the crossroads of performance, of conceptual art, of video and of poetry.

A sociological approach to new practices in public art commissioning.

A new model of action to invent new modes of art production and exchange by establishing a direct dialogue between the artist, the citizen-commissioner and the cultural mediator, outside the museum and apart from the art market (available in English edition).

A portrait of the great Ukrainian photographer based on a film on Boris Mikhailov by David Teboul.

Digital technologies and interactivity in the artistic field, in an historic and experimental perspective (new edition).

An essay / manifesto to reconsider the objectivity of the sensations provided by artworks, and to reconsider contemporary art in itself rather than as a genre, alongside modern and classical art.

A collection of texts.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

A collection of essays on ten contemporary artists (Peinado, Achour, Sala, Cattelan, Huyghe, Scanlan, Trouvé, Bublex).

Collection of interview and essays (Parrino, Morris, Armleder, Veilhan, Walsh, Mosset, Gygi, Miller...).

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

Relations between society and artists.

Those who spread their image over Internet, what do they want? And what do those who view them get out of it? Numerous are those who jumped on the bandwagon of the webcam, pushing its spectrum of video-surveillance and condemning it to voyeurism or exhibitionism. Far beyond the simplistic idea of opposing exhibitionist / voyeur, actor / spectator, active / passive, the webcam serves as a meeting point of exchanges, complicity, views of or relationships with others, what Nicolas Thély terms as "web-intimacy".

Texts and interviews by Eric Troncy.

Bob Nickas' writings.

Bob Nickas' writings (English edition).

Also available in English edition.

Thirty texts by Eric Troncy.

Cultural mediation in France.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

An analysis of some major contemporary works that challenge the traditional values of art.

An activist analysis of new transmission models in art teaching.

A collection of interviews with artists and curators.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

A study on Richter's work with illustrations.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.