A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

How machine learning and computer vision generate images.

Parker and Pollock's seminal volume of feminist art history.

A collection of photographs of couples, as evocative as they are mysterious.

First monograph on Gina Proenza's suggestive and sculptural work.

First monograph on Gina Proenza's suggestive and sculptural work.

An artist's edition by Miljohn Ruperto comprising three flipbooks and an accordion-fold booklet, that examines different forms of time.

Turzets collects a pair of new works primarily created and recorded in 2023 while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland: somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A transdisciplinary reevaluation of the dialogical character of humanism.

Art, empathy and political solidarity.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

Artaud's last unpublished work.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

A collective exploration of the relationship between contemporary art and archeology.

A reflection on our present, through a series of portraits of contemporary artists.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

A theory of passive vitalism.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A critical history of VideoArt Festival Locarno.

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

The result of a research project revolving around the question of data, headed by artist-photographer Aurélie Pétrel and philosopher Fabien Vallos.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.