An exploration of the artistic myth of Michelangelo, which questions the multiple and contradictory uses of the past and the notions of reception, filiation and tradition that are revealed.
Sara Vitacca holds a PhD in art history from the Université Paris 1 Panthéon-Sorbonne. Her work focuses on the art and visual culture of the nineteenth and twentieth centuries, on the reception and fabrication of artist's mythologies, and on the representation of bodies and virility in the early twentieth century.
