Africa

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

The misappropriated notion of care and the paths for its rehabilitation.

A polyphonic genealogy of the concept of contemporary African art.

Four artist's posters.

First monograph of the Beninese painter.

A tribute.

Seventeen interviews conducted with Med Hondo over a period of almost half a century, most of the interviews originally published in French were translated into English.

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

A collaboration between artists Musquiqui Chihying (Taipei, Taiwan/Berlin) and Gregor Kasper (Berlin) together with rapper Elom 20ce (Lomé, Togo).

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

Seven musicians and producers from East Africa and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

LP plus DVD with full-length movie (125 minutes) of Balafon music of the Lobi people, recorded in and around Gaoua, Burkina Faso, on a two-week journey in June 2014, by Dirk Dresselhaus (alias Schneider TM), Julian Kamphausen and Arved Schultze. Packaged in a full-colour gatefold sleeve with DVD tray, with numerous photos and an extensive interview with Dresselhaus.

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

Jean Laude's writings on art.

Conceived around an anthropology of the object, this book proposes to follow the course of royal objects of Abomey, former capital of the pre-colonial Kingdom of Dahomey (in present-day Benin).

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

French art historian Anne Lafont delivers an unpublished study on the close and paradoxical relations of art and race in the Enlightenment. A new voice in current works on issues of race, art, images and colonization.

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

An an extensive analysis of the advent of Christian visual culture in the Kingdom of Kongo and its and development across four centuries.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

Monographic catalogue structured around installations by Vincent Meessen which examine the influence of the Situationist International in Sub-Saharan Africa, notably through figures such as Lungela Diangani eand Omar Blondin Diop. This richly illustrated book documents both the IS's relationship with the African continent and the artist's discursive, collaborative and para-curatorial activity of the past four years.

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

With exceptional contributions of artists, academics and musicians, Benga, A Kenyan Kaleidoscope investigates the future of East African music and avant gardes in the limelight of a digitalization of artistic practises.

First monograph, spanning ten years of work by Senegalese artist Sheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

Federico Lodoli and Carlo Gabriele Tribbioli went twice in Liberia to carry out a study on the war. This publication gathers their travel memoirs, interviews with Liberian warlords and a photographic reportage.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

An ethnological study of witchcraft in West Africa, based on field research conducted in five countries between 1994 and 2000.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

Since 2013, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. I am built inside you, C&'s first book, is a compilation of eighteen pieces published since the magazine was launched.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

Providing an important platform for new and ambitious work from the Middle East, North Africa, and South Asia, the ninth installment of the Abraaj Group Art Prize features "seepage/ritual," an exhibition with the work of winner Rana Begum and the three short-listed artists: Sarah Abu Abdallah, Doa Aly, and Raha Raissnia.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

The Seventh Issue of Zamâm magazine gathers innovative artists, curators, and art historians to investigate the relationships between the Pacific Region and the Mediterranean Basin, from Morocco to India (with Toni Maraini, Eric Baudelaire, Geeta Kapur, Touda Bouanani, Faouzi Laatiris…).

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

This prospective study places Africa and the city of Durban at the heart of a project to reconnect the interrupted paths of modernity and of people's emancipation. A singular reflection on architecture and spaces interlocking contemporary issues and dystopian narratives.