Conceptual art

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

A poem written by the artist for the space of the book composed only of punctuation marks.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

An extensive overview of Olivier Mosset's six-decade painting practice.

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph / catalogue.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

An anthology of Claire Fontaine's texts.

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A talk between three artists around Julia Scher's work.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

An analysis of the relationship between art and literature over the last six decades.

The singer Christophe puts to music Olivier Mosset's interviews.

First monograph.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

First monograph: minimalist artist Eva Evrard explores the book form, sculpture and installation to question the complexity of the body. Her artistic project is defined by its formal polysemy, inspired by American conceptual art and the renewal of the Arts & Crafts movement.

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

This monograph offers a portrait of over a decade of work by international artist Andrea Galvani. It is a visual excavation into the rigorous research, scientific methodologies, and philosophical thought that underscore his practice. His most notable projects are examined through essays, field notes, calculations, cartographies… in support of a better understanding of a both demanding and fascinating work.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.