Women (female artists)

Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

This two-volume publication consists of an artist's book by Nathalie Du Pasquier with drawings, photographs, and reproductions of her paintings and a publication with photographic portraits of her works from the past decades by Delfino Sisto Legnani.

The second issue of the erotic journal, featuring Camille Bellot, Olivier Blanckart, Carole Deltenre, Wim Delvoye, Roberto Ferri, Paolo Giardi, Georgia Grace Gibson, Aurelie De Heinzelin, Florian Hetz, Jean-Kristau, Julien Langendorff, Nico Mazza, Myriam Mechita, Andrew Moncrief, Odd Nerdrum, David Nissen, Valérie Oka, Eric Pougeau, Denis Protéor, Andrés Rangel, Jean Rustin, Anthony Stark, Betty Tompkins, Courtney Trouble, Ida Tursic & Wilfried Mille (each copy includes a postcard, a poster, and a handcrafted wax seal created after a seal ring by Carole Deltenre on which a vulva was molded).

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

Catalogue of the Ars viva Prize who has been awarded annually since 1953 to young artists living in Germany whose work stands out for its innovative potential and high artistic quality. The recipients of the 2017 prize are Jan Paul Evers, Leon Kahane, and Jumana Manna.

The new novel by Keren Cytter: an incomplete guide for life.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

This book explores a range of works made between 2002 and 2016 from Nicola Tyson's sketchbook pages to large graphite drawings and giant, life-sized ink drawings.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

An audio recording of the American artist performing a German folk song while masturbating.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

Paul Kooiker, Cendres Lavy, Ash Conrad, Lise Stoufflet, Hannibal Volkoff, Cath Orain, Jean-Luc Verna, Catherine Robbe-Grillet, Luce de Tetis, Julien Salaud, Clara Citron, Mirka Lugosi, Julian Feeld, Apollonia Saintclair, Amanda Wieczorek.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

Contributions by Bless, Elein Fleiss, Susan Cianciolo, Yurie Nagashima, Pascale Gatzen, Ryoko Aoki, Takashi Homma, Nobuhiro Shimura, Yukinori Maeda.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

A fluid narrative of Lacaton and Vassal's oeuvre based on the duo's lecture at Harvard University in 2015.

Stephanie Kloss's photographs capture the mythos and utopianism of architecture in locations as diverse as Athens, Berlin, the United States, and Japan (catalogue / artist's book).

The decay of Detroit and its people's resistance in words and photographs (photographs by Antonio Rovaldi).

The Korean artist's first monograph.

An artist's book presenting the many aspects of Susan Cianciolo's artworks.

First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.

An anthology of texts by the artist.

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

A concrete / post-digital oratorio in 5 parts.

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

First monograph / artist's book.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

First monograph.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

Artist's book by the avant-garde designer Susan Cianciolo.

Artist's book.

Artist's book.