Conceptual art

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

An important work by American artist Mel Bochner yet strangely it remains little-known.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

Reference monograph (also available in English).

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

A list of titles for exhibitions available free of charge from the artist (artist's book).

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

Essays about the work of Victor Burgin.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

The family archives of Július Koller's collaborator and loving partner Květa Fulierová (artist's book).

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Artist's book in two volume.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

The story of an iconic work by Claude Rutault.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Artist's book.

A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.