Art & document / documentation / documentary / archive / conservation

The Dynamics of archiving: interviews with Ernesto Oroza, Simone Osthoff, Red conceptualismos del Sur, Manu Luksch, Daniel G. Andujar; Anna Ramos presents the Memorabilia podcast series; the British Library's 140 years of recorded sound vs. Centuries of Sounds; Rhizome's Net Art Anthology; reports on ISEA 2017 – “Biocreation and Peace”, Lisbon's xCoAx 2017…

A reflection on history and the historical document, based on the chronicles of a village written in the 19th century by a Walloon worker.

As a child in the 70's Daniela Comani travelled with her parents in their car where they used to past time jotting down the cars that drove by. 40 years later she found one of these old notebooks and researched photographs of the cars. The project now takes the form of this artist's book, which can be seen as an interesting social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

The portfolio of the exhibition at the Jeu de Paume.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

The troglodyte town of Matera in Southern Italy has fascinated generations of filmmakers since the Post-war area. Documenting the making of the 1953 film She-Wolf by Alberto Lattuada set in Matera, photographer Federico Patellani provides a unique insight of the life of the provincial city in the fifties.

A parallel side story of the steirischer herbst International Art Festival drawn from the back-sides of cut-out articles from the festival's press archives.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

In 1961, L'Illustrazione Italiana sends critic Giorgio Zampa and photographer Ugo Mulas to carry out a reportage in Denmark. Along their meetings with writer Karen Blixen or Nobel Prize Nils Bohr, the two correspondents also witness the new manifestations of the Scandinavian lifestyle, characterized by its design and its modern habitats.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

The visual iconography of Scotland transformed by Parr into the outlandish and unfamiliar.

Helke Bayrle has—on her own initiative—filmed the installations of exhibitions that have been held at Portikus since the end of 1992. This catalogue features more than 1,000 film stills, a full index of the recorded exhibitions, as well as texts by curators and deans who worked at Städelschule and Portikus over the years.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

This reader is the result of a cycle of seminars and an exhibition developed by the Iuav University of Venice around the notion of heritage. The publication focuses on issues related to the status of heritage in the contemporary; the study and use of archives; restoration strategies; and heritage as a place of transformation.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

Espace(s) #13 inaugurates the new formula of the French Space Agency's review. This issue explores the potential of the archive as a material for new artistic or literary narratives.

A series of photographs taken in the margins of the 63rd Bilderberg conference, which brings together some of the most influential political and economic leaders of the Western world.

A swan song for Vienna's drinking dens.

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

First volume of a hors-series' collection focusing on the theory and practice of republishing and archiving.

The family archives of Július Koller's collaborator and loving partner Květa Fulierová (artist's book).

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

A series of photographs which dismantles stereotypes by documenting the actual realities of everyday life in Africa.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

A volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

Artist's book.