California

With numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken’s exploration of mirrored surfaces in architecture.

Renewing our understanding of Ruscha's art.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

A retrospective overview of the work of a pioneer of Conceptual art in Los Angeles

The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A concise introduction to the Jack Pierson's photographs, collages, word sculptures and more across four decades.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

New release of the first album of American Gamelan composer Daniel Schmidt.

New release of the third album of American Gamelan composer Daniel Schmidt.

Hyperrealist photographer of California skateparks Amir Zaki's new monograph covers twenty-plus years of photographic work, including an essay and interview.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

A newspaper format publication by artist and curator Mathew Hale, derived from an exhibition of 24 LA and Berlin-based artists.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

This zine gathers several photos, collages and drawings of Barry Mc Gee. He created a unique visual language, composed of geometrical patterns and recurring symbols.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

An absorbing sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) by C.W. Winter & Anders Edström, with musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki.

Monograph dedicated to Jim Shaw's “Paperback Covers” key series.

A nonsense opera (artist's book).

A selection of recently exhibited works of the Californian artist.

Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.

A collection of photographs and drawings retracing the founding Californian experience of the artist.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

An anthology of Pettibon's drawings.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

The script of Harmony Korine's new movie The Beach Bum.

First monograph.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

Originally published in 1983 by Maurizio Nannucci, this collection gathers a careful selection of audio works by American body artist and conceptual artist Terry Fox, also a pioneer of sound art.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

Reference monograph.

A panorama of Latin American art collections in Southern California.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

A selection of recent paintings by San Francisco-born artist Rafael Delacruz. Drawn from the artist's Tech Bum series—which envisions a future portrait of his native Bay Area—, and also from the artist's personal imagery, Exploding Jezebel untwists a narrative universe of misfit characters in Paul Klee-like palettes and visionary hues. Delacruz's work presents a singular exploration of chromatic, painterly storytelling.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

This publication stems from The Devil's Peak (in beige), an installation created in the Californian desert of Amboy by Maxime Bondu and Bureau A (Leopold Banchini & Daniel Zamarbide). The project deals with how the absence of water conditions life in the desert.