Anthologies

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A transdisciplinary reevaluation of the dialogical character of humanism.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

A collective work to highlight the unique perspective of Pierre Guyotat, one of the greatest authors of the French language and a major figure in the memory of the Algerian conflict, on the war of independence and post-independence Algeria.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

A journal of critical and political poetry

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

A vast selection of writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.

A collection of about thirty texts to resume the passionate conversation that Jean-Luc Nancy was engaged in throughout his life, with philosophers and artists from all over the world.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

A comprehensive overview of performance and action art in Greece, from its origins to the most contemporary practices.

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

An multidisciplinary approach of the war by its traces.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

An incisive examination of the intersection of global art and political resistance.

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

Curator without a System brings together, for the first time in English, a rich variety of essays by the curator Viktor Misiano written between 1988 and 2005.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

A manifesto for radical care and universal and unconditional basic income, as a tool for social transformation and social equality highlighting values, needs and desires opposing the present inequalities generated by neoliberalism and the ecological unsustainability of capitalism.

This dense 11 disc retrospective of Pauline Oliveros' early and unreleased electronic work includes her very first piece made for tape in 1959.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

A critical anthology on the spatial mediation of art consumption through digital technology.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

This anthology gathers some of the most emblematic authors of the Brazilian poetic modernity, in its widest amplitude and with the intractable will to reveal its incessant reinvention.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

The new meaning of craft.