Northern Europe / Scandinavia

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

First monograph.

A collaboration between Otto (10) and Robin (42).

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

A record resulting from a 12-hour participatory performance by the Danish collective.

The immersive sound diary of a trip to Bali.

The inner life of objects according to Erlend Peder Kvam.

First vinyl edition (remastered) of the Swedish trio's third and most beautiful album (originally released on the Häpna label in 2005), produced by Marcus Schmickler (Pluramon).

Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

Over 15 years of subversive installation art from a Copenhagen-based collective.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

Through four case studies, Curating beyond the Mainstream researches decolonial and other non-hegemonic approaches to the profession of curating in Sweden from the 1960s to the early 2000s.

back in stock! (repress). The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

First comprehensive monograph of the Swedish queer and feminist performance artist.

How our experience of presence, time, and history are articulated in contemporary artistic practices.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

First monograph.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

Two rare historical recordings (1983 and 1986) by the godfather of Dark Ambient, originally released as single sides and gathered here for the first time.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

A colorful and lively journey through Tyra Tingleff's artistic practice.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

A singular history of cultural encounters between Italy and Denmark.

New monograph.

Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

The political potential of art.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

This publication documents and discusses Tensta konsthall's experimental multi-year project "Tensta Museum: Reports from New Sweden" that ran from 2013–18 in Tensta and beyond. By pretending to be a museum, the project created a richly contrasting patchwork stretching over six years, in which manifold interests and expressions together formed a narrative with tensions and conflicts erupting around questions like "what history and heritage?," "to whom do they belong?" and "what about the present?"

Part children book, part exhibition catalogue, Fake Star is a book about an exhibit in a National Pavilion in the Paris World Exposition 1900.

Retrospective monograph.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

First monograph.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

The fiscal cliff according to Erlend Peder Kvam.

Tal R's collages from his eclectic collection of images and objects (artist's book).

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

A book that documents/closes the Oslo-based queer-feminist plattform FRANK, with a rich contributions list and many illustrations.

The intersection of walking and collecting.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.