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Artforum n° 57-8 – Avril 2019
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COLUMNS

PASSAGES

Yve-Alain Bois, Amy Baker Sandback, and Suzanne Hudson on Robert Ryman

Rachel Kushner on Alex Brown

BOOKS

Polly Watson on Dreyer's English

FILM

James Quandt on Claire Denis's High Life

PERFORMANCE

Catherine Damman on Robert Ashley's Improvement (Don Leaves Linda)

ON SITE

Kaya Genc on the 23.5 Hrant Dink
Site of Memory

TOP TEN

Raf Simons

FEATURES

WISE GUYS: THE ART OF NICOLE EISENMAN
Johanna Fateman

DRAFTS: STEFFANI JEMISON ON THE STROKE, THE GLYPH, AND THE MARK
Introduction by Huey Copeland

HUMANLY POSSIBLE: THE ART OF WILLIAM T. WILEY
Dan Nadel

1000 WORDS: TRENTON DOYLE HANCOCK
Ikechukwu Onyewuenyi

ROUTINE OF THE REAL: THE ART OF EDI HILA
Dieter Roelstraete

PERFECT CHAOS: VEˇRA CHYTILOVA'S SEDMIKRÁSKY (DAISIES)
J. Hoberman

OPENINGS: TRULEE HALL
Trinie Dalton

REVIEWS

Jack Bankowsky on Andy Warhol

Chelsea Weathers on “Art for a New Understanding: Native Perspectives, 1950s to Now”

Daniel Quiles on “Un arte sin tutela: Salón Independiente en México, 1968–1971”

From New York, Amherst, Chicago, Denver, San Francisco, Los Angeles, Oakville, London, Berlin, Cologne, Milan, Vienna, Paris, Brussels, Barcelona, Copenhagen, Glasgow, Bucharest, Vilnius, Istanbul, Baku, Mumbai, Hong Kong, Taipei, Sao Paulo, Buenos Aires, and Melbourne