les presses du réel

What Ever Happened to New Institutionalism?

 - What Ever Happened to New Institutionalism?
Un examen des approches curatoriales du néo-institutionnalisme nées dans les années 1990 à travers une conception nouvelle, plus démocratique et égalitaire des institutions artistiques, héritée notamment des travaux d'Harald Szeemann et de l'esthétique relationnelle de Nicolas Bourriaud.
New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism's dispersed and varied approaches to curating sought to reconfigure the art institution from within, reshaping it into an active, democratic, open, and egalitarian public sphere. These approaches posed other possibilities and futures for institutions and exhibitions, challenging the consensual conception, production, and distribution of art. Practitioners engaged the art institution with renewed confidence by imbuing it with the potential for new aesthetic experiences and different relationships among artists, institutions, and spectators beyond engrained modernist ideologies. Working in these new modes, the art institution could become a site of fluidity, unpredictability, and risk.
What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture. The first in a series of readers examining changing characteristics of art institutions, this publication thinks through New Institutionalism by bringing together facsimiles of seminal texts, new critical essays, a history of trends and practices, and commissioned artist projects and contributions. These are complemented by documentation from the inaugural year of programming at the Carpenter Center for the Visual Arts at Harvard University focused on reimagining CCVA as a twenty-first-century institution.
Edité par James Voorhies.
Contributions de Martin Beck, Nina Beier, Silvia Benedito, Ulla von Brandenburg, Katarina Burin, Simon Dybbroe Møller, Jonas Ekeberg, Alex Farquharson, Fernanda Fragateiro, Simon Fujiwara, James Goggin, Tone Hansen, Owen Hatherley, Henriette Huldisch, Damon Krukowski, Maria Lind, Markus Miessen, Eline Mugaas, Elise Storsveen, Gloria Sutton, James Voorhies, Naomi Yang, Amy Yoes.

Conception graphique : James Goggin of Practise.

Publié avec le Carpenter Center for the Visual Arts.
 
paru en juillet 2016
édition anglaise
16,8 x 24 cm (relié, couv. toilée)
192 pages (ill. coul.)
 
26.00 19.50
(offre spéciale)
 
ISBN : 978-3-956792-34-2
EAN : 9783956792342
 
en stock
 
dossier de presse
What Ever Happened to New Institutionalism? What Ever Happened to New Institutionalism? What Ever Happened to New Institutionalism? What Ever Happened to New Institutionalism? What Ever Happened to New Institutionalism? What Ever Happened to New Institutionalism?


 haut de page