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Pictures
Robert Mapplethorpe [see all titles]
Serralves [see all titles]
Robert Mapplethorpe Pictures
Introduction by João Ribas.
Preface by Michael Ward Stout.
Texts by Jonathan K. Nelson and Susan Sontag; interviews with Robert Mapplethorpe by Edith Cottrell et Gary Indiana.

Graphic design: Pedro Nora.
published in January 2019
bilingual edition (English / Portuguese)
25 x 32 cm (hardcover, cloth bound)
400 pages (ill.)
€55.00
ISBN: 978-972-739-362-6
EAN: 9789727393626
in stock
 
This luxurious comprehensive catalogue, lavishly illustrated, brings together works from throughout the artist's career, from early collages and Polaroids, to the images of flowers, nudes, sexuality and portraits that made him one of the most notable photographers of the last century. It includes texts by art historian Jonathan K. Nelson and by Susan Sontag
Pictures brings together for the first time in Portuguese art historian Jonathan K. Nelson's most comprehensive overview of Robert Mapplethorpe's work and a short yet insightful foreword his close friend Susan Sontag wrote upon the artist's express request. The exquisite binding of this extensively illustrated coffee-table book translates Mapplethorpe's pleasure in the tactile that led him to the pioneering use of non-photographic materials. The catalogue section follows the chronological order, with occasional exceptions to highlight kinships and/or for aesthetical reasons.
Published on the occasion of the eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, from September 20, 2018, to January 6, 2019.
Robert Mapplethorpe (1946-1989) took his first photographs using a Polaroid camera. His first Polaroids were self-portraits and the first of a series of portraits of his close friend, the singer-artist-poet Patti Smith. These early photographic works were generally shown in groups or elaborately presented in shaped and painted frames that were as significant to the finished piece as the photograph itself. Then he acquired a large format press camera and began taking photographs of a wide circle of friends and acquaintances. These included artists, composers, socialites, pornographic film stars and members of the S & M underground. Some of these photographs were shocking for their content but exquisite in their technical mastery. During the early 1980s, Mapplethorpe's photographs began a shift toward a phase of refinement of subject and an emphasis on classical formal beauty. During this period he concentrated on statuesque male and female nudes, delicate flower still lifes, and formal portraits of artists and celebrities.