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Toilet Paper – ToiletMartin PaperParr
Toilet Paper [see all issues]
  Toilet Paper ToiletMartin PaperParr
Edited by Maurizio Cattelan and Pierpaolo Ferrari (concept and images).

Published by Damiani.
published in January 2018
English edition
22,5 x 29 cm (softcover)
40 pages (21 color ill.)
€15.00
ISBN: 978-88-6208-589-2
EAN: 9788862085892
temporarily out of stock
 
A collaboration between Toilet Paper and Martin Parr.
“ToiletMartin PaperParr Magazine” is a new, special edition of “Toiletpaper” published by Damiani. This unique edition celebrates a new suite of pictures presenting a back-to-back of images made in collaboration with Maurizio Cattelan and Pierpaolo Ferrari on the one side and Martin Parr on the other.
The recipe is very tasty: the founders of “Toiletpaper” hosted Martin Parr as a special guest and asked him to form a dialogue with “Toiletpaper” images, coming back to them with a photograph from his archive for each image. The result is a rapid succession of images in which irony, subversion and provocation force the viewer to the impelling discovery of the next pair of images.
Also available in a limited edition, with an exclusive tote bag included..

See also ToiletMartin PaperParrCalendar 2019.
Toilet Paper is an artists' magazine created and produced by Maurizio Cattelan and photographer Pierpaolo Ferrari (Le Dictateur), born out of a passion or obsession they both cultivate: images. Following in the wake of Cattelan's cult publication Permanent Food, the magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.