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Location Photographs
Mark Lewis [see all titles]
Casino Luxembourg [see all titles]
Mark Lewis Location Photographs
Texts by Yilmaz Dziewior, Marie-Claude Beaud, Enrico Lunghi.
published in 2005
bilingual edition (English / French)
26 x 24 cm (hardcover
92 pages (color ill.)
€25.00 €12.50
(special offer)
ISBN: 978-2-919893-53-9
EAN: 9782919893539
in stock
 
Mark Lewis' location photographs.
The book gathers a series of location photographs from Early March, Algonquin Park, September, Windfarm, Airport I, Jay’s Garden, Lawson Estate and Tenement Yard, Heygate Estate as well as an ensemble of location photographs for unrealized films. Location photographs explore the long process of work (location, shooting, editing) by which the artist tracks and studies a place and its environment before modeling it according to its vision.
Published following the exhibition “Mark Lewis / Landscapes” at Casino Luxembourg in 2005.
Mark Lewis was born in 1958 in Hamilton, Canada. He lives and works in London. His short films are usually depictions of everyday life or situations which are emblematic of the present day. They often make indirect reference to art history and the traditions of painting, photography and film.
Mark Lewis began his career as a photographer. He lived in Vancouver from 1989 to 1997 and was an early practitioner on the Vancouver School photo-conceptualism scene. In the mid-1990s he began making short films, no more than a few minutes long, at first on 35mm then on video. These were intended for screening in museum spaces where they were usually projected in large format. Lewis handles the film equipment himself and exploits the potential of camera movements for their ability to give an unusual take on the contemporary world. Rush Hour, Morning and Evening, Cheapside (2005), and Isosceles (2007) are typical of the virtuosity with which he approaches apparently banal situations. Recent films like Man (2012), Smoker at Spitalfields (2012) and City Road 24 March 2012 (2012) emphasise the pictorial quality of his visions of ordinary urban life and make frequent reference to the history of painting. His film Black Mirror at the National Gallery (2011) explores the interaction between the museum space, a mirror, and the film camera.
He recently (2014) completed three films in the demilitarised zone between North and South Korea and, for the 31st Bienal de São Paulo, he made seven films shot in São Paulo (including the film Above and Below the Minhocão, which is one of those screened at LE BAL). His project Invention imagines a contemporary city without moving pictures (no smartphones, no TV, no internet, etc.). In this scenario the city itself, with its intense focus on bodies in movement, shadows and reflections, becomes the cinema. This huge project includes the works shot in São Paulo as well as films made for the Louvre last autumn.
In 2009, Mark Lewis represented Canada at the 53rd Venice Biennale. Solo exhibitions include Van Abbemuseum (Eindhoven, 2013), Vancouver Art Gallery (Canada, 2008), Ps1 (New York, 2006), Forte Di Bard (Italy, 2011), Man - Museo D’Arte Provincia di Nuoro (Italy, 2009), Art Gallery of Ontario (Toronto, 2010), Akademie der Bildenden Künste (Vienna, 2008), FACT (Liverpool, 2006), BFI Southbank (London, 2006) and the Musée du Louvre (Paris, 2014).
Mark Lewis is Professor of Fine Art at Central Saint Martins, University of the Arts London, co-founder with Charles Esche of Afterall, a research and publishing organisation based in London, and editor of Afterall Books, One Work Series.