english version / version française
Sculpture in Reverse
Michael Heizer [see all titles]
Editions Lutanie [see all titles]
Michael Heizer Sculpture in Reverse
Edited by Manon Lutanie, Cerise Fontaine, Raphaëlle Brin.

Translated from the English by Raphaëlle Brin, with Manon Lutanie.

Graphic design: Manon Lutanie, after an original design by Thomas Strong.
published in September 2014
bilingual edition (English / French)
25 x 28 cm (hardcover)
72 pages (b/w ill.)
€35.00
ISBN: 978-2-918685-09-8
EAN: 9782918685098
in stock
 
A facsimile reedition of an interview with Land art pioneer Michael Heizer and curator Julia Brown first published in a 1984 catalogue.
Sculpture in Reverse is the reedition and first translation of an interview between Michael Heizer and Julia Brown, first published in 1984 in the exhibition catalogue Michael Heizer, Sculpture in Reverse (Museum of Contemporary Art, Los Angeles—MOCA). The original text is reproduced in facsimile and followed by a translation in French, presented with other figures from the original catalog, arranged in a new order.
Working largely outside the confines of gallery and museum, Michael Heizer (born 1944 in Berkeley, California, lives and works in Garden Valley, Nevada) has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of Land Art, he is renowned for awe-inspiring sculptures and earthworks made with earth-moving equipment, which he began creating in the American West in 1967. Double Negative (1969–1970), a pair of massive cuts in facing cliff edges of an obscure mesa near Overton, Nevada, was made by displacing 240,000 tons of rock. On permanent view at Dia:Beacon, North, East, South, West (1967/2002) consists of four geometric depressions, each sinking twenty feet below the gallery floor. City, a vast ongoing site in Central Eastern Nevada that Heizer has been working on since 1972, comprises giant earthworks inspired by ancient architectural ruins. Levitated Mass, a permanent, site-specific commission for LACMA, was unveiled in the summer of 2012. His work has been collected and exhibited by Museum of Modern Art, New York; Whitney Museum of American Art, New York; Dia:Beacon, New York; Metropolitan Museum of Art, New York; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Fondazione Prada, Milan, and many other institutions worldwide. Solo museum exhibitions include Detroit Institute of Arts (1971); Museum Folkwang, Essen, Germany (1979, traveled to Rijksmuseum Kröller-Müller, Otterlo, The Netherlands); St. Louis Art Museum (1980); Museum of Contemporary Art, Los Angeles (1984); Whitney Museum of American Art, New York (1985); and Fondazione Prada, Milan (1996). Permanent, site-specific sculptures include Adjacent, Against, Upon (1976, Myrtle Edwards Park, Seattle); Levitated Mass (1982, 590 Madison Avenue, New York); 45°, 90°, 180° (1984, Rice University, Houston); North, East, South, West (1967/2002, Dia:Beacon, New York); Levitated Mass (2012, Los Angeles County Museum of Art); and four major sculptures at the Menil Collection, Houston. Double Negative (1969), a site-specific land work, remains on permanent public view in the Mormon Mesa near Overton, Nevada.