Women (female artists)

First monograph of the African-American artist, renowned for her representations of black femininity, whose spectacular pop patchworks deconstruct and recompose the everyday feminine/masculine relationship in its domestic dimension: an overview of Tschabalala Self's production, with seven essays and an interview.

In this small volume, normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush, moving throughout this strange, surreal universe as if they were real people. The result is a series of darkly funny paintings that shed light on our own mundane realities.

A comprehensive overview of artist Kathrin Böhm's multifaceted, deeply collaborative, and durational practice and networks.

This book presents a wide selection of works from Prvački's daily watercolor practice that began during the Covid19 pandemic. It guides us through the inner and outer landscapes of the recent years we traversed as we grappled with the complex emotions of a world turned upside down.

A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen.

The first solo album of the French saxophonist, flutist and visual artist Sakina Abdou is the culmination of a path initiated more than twenty years ago on various aesthetic paths and in different contexts and artistic experiments, of a sound research started in 2021 around the solo saxophone, and of a tour in the United States in the fall of 2022.

Conceived as an artist's book, this monograph is the outcome of a collaboration between the Basque artist based in California Erlea Maneros Zabala and the American writer Dodie Bellamy.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

First monograph, bringing together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

A photographic portrait of Porpora Marcasciano, human rights activist, writer, sociologist and honorary president of MIT (the Italian Transgender Identity Movement).

The monograph dedicated to Italian artist, editor, critic and writer Lisa Ponti (1922–2019), daughter of the famous architect and designer Gio Ponti, who spanned a number of moments of twentieth century culture, constantly involved with the leading names of the Italian and international art scene.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

First Arabic translation of Virginie Despentes' cult book King Kong Theory.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

A guided tour to Ana Jotta's most immersive project.

A collaboration between Otto (10) and Robin (42).

New monograph.

This catalogue accompanies the eponymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

A symbolic and political science fiction short story written in four languages.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

Photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx.

First monograph.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

The most important monograph to date devoted to the work of Anne Van der Linden, a major figure in the underground art scene, with nearly 300 images, paintings and unpublished documents in colour.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

First monograph of the Kenyan artist.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.