Luxemburg

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

Four excerpts from a duo concert by Arthur Clees (drums) and Jan Jelinek (live electronics).

A musical work born of residencies for two musicians and a dancer in three natural parks in France, tuned to these three geographies as open-air studios, in dialogue with the mineral, plant and animal environment.

This book uses the production of some twenty international creators to discuss methods of transforming metal in contemporary design.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

An exploration of the theme of emptiness in art (exhibition catalogue).

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

Filip Markiewicz presents a mental image of Luxembourg combined with a reflection on contemporary identity (exhibition catalogue for the Luxemburg Pavilion at the 56th Venice Biennale).

Sound (and aural perception) in contemporary art.

First monograph.

The third part of a curatorial project initiated in January 2010 by Emmanuel Lambion, which plays with the polysemy of the term “translation”.

An observation of everyday life through gestures and speeches (catalogue)

Publication dedicated to Casino Luxembourg on the occasion of the art forum 15th year.

Edward Steichen's The Bitter Years exhibition (1961, MoMA New York) offers the starting point for Great expectations. Just like Steichen photographed the aftermaths of the Great Depression, this catalogue gathers contemporary photographs to look at today's Bitter years (catalogue).

A reflection on contemporary representations of man in the context of a continuous expansion of the field of visibility.

An exploration of narrative in contemporary art.

The optical, spatial and sensorial exploitation of electric light within the field of contemporary art.

First monograph.

A publication analyzing the specific experience of waiting and time— from its most trivial expression to its more existential aspect (catalogue).

Films, videos, photographs and installations following the theme of landscapes and urban views, questioning our relation to city and nature.

First monograph (works 1999-2004).

Catalogue of works (sound and video installations, CD, diagrams, documentaries, photographs, performances, sculptures, drawings) exploring the phenomenon of feedback as the starting point for creative processes.

Video artists and photographs explore the notion of secret, evoking intimate relations, seducement and complicity between the artist and his work on one hand, the work and the audience on the other.

Catalogue of the second edition of Manifesta – European Biennal of Contemporary Art, presented in Luxembourg.

Catalogue of the second edition of Manifesta – European Biennal of Contemporary Art, presented in Luxembourg (also available in English).

A reconstruction of the book project from the artist's archives.