The most important monograph to date devoted to the work of Anne Van der Linden, a major figure in the underground art scene, with nearly 300 images, paintings and unpublished documents in colour.
The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.
Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.
Laura Vazquez is an author associated with the 2019/2020 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of four exhibitions, composed freely around the works and ideas she perceived there.
New paintings by New York based artist Mark Gonzales—an exploration into the artist's experimentation with color theory and mood inspired by classic portraiture.
Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world, and continues to do so.
This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.
A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.
This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.
Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.
First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.
Proof of Stake – Technological Claims reflects on the themes of technology, organization, and ownership to investigate how objects are framed as technological and are used to organize life.
Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.
An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.
The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.
Les presses du réel – Contemporary art – Monographs
The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.
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