A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A theory of passive vitalism.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

Artaud's last unpublished work.

Writings on the pioneering, beloved experimental filmmaker and artist from critics, garden historians and Jarman collaborators Tilda Swinton and Simon Fisher Turner.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

A transdisciplinary reevaluation of the dialogical character of humanism.

Comprehensive monograph.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

How machine learning and computer vision generate images.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

A collection of photographs of couples, as evocative as they are mysterious.

MUdec United, the publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The second issue questions the quintessential symbolic device of the museum machine: the showcase—a tool of preservation, mummification, and desire, with many stories to tell.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

Issued on LP for the first time, Atrás del Cosmos's Cold Drinks, Hot Dreams,, originally issued on cassette in 1980, is a heady and lush live set by who many consider to be the first free jazz ensemble in Mexico.

Turzets collects a pair of new works primarily created and recorded in 2023 while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland: somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

First monograph.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

Second volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.

Released in Sub Rosa's Early Electronic series, this LP reveals the extraordinary diversity of research—almost all hidden—by Spanish musicians in the '50s and '60s.

New compositions (by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Guštar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska) for the sixth-tone harmonium conceived by Czech composer and pioneer of microtonal music Alois Hába in the 1920s and '30s, performed by Miroslav Beinhauerr, currently the only player of this unique instrument in the world, who has single-handedly revived it after decades of slumber.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

The multiple meanings and uses of textiles in art, culture and society.

The outcome of two years of writing and documenting Joshua Leon's own research processes, the publication comprises original writing alongside archival imagery.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

A visual, experimental research on the architectonic potential of the horizontal surface in building processes in the format of a folded manifesto. Drawings, images and texts by Jan Kinsbergen, Neven Kostic and David Klemmer.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.