Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Crossing perspectives on living among screens.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

45 chapters of 45 sentences at 45 years.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

First monograph.

New monograph.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

The aesthetic and functions of the mirror in contemporary art.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

A typology of erasure as artistic gesture throughout the twentieth century.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

First French translation of a pioneering study on Hollywood musicals.

The concept of time in art history.

New monograph.

First monograph.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

Through 650 images drawn from the French National Institute for typographic research unpublished archives, this catalogue tells the untold story of a period of profound technological change, exploring the little-known world of typography design through a diverse selection of projects drawing on both an age-old craft tradition and the most radical innovation.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

A collective publication on Jean Genet and the arts.

This volume brings together essays on the German writer W. G. Sebald (1944-2001), iconographic documents and manuscripts of the author, and a script written by Sebald for a film ever made about the life of the philosopher Ludwig Wittgenstein.

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Images potentielles (Potential Images), the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.

The place of films and moving images in the field of contemporary art.

A collection of interviews with artists and curators.

A collection of previously unpublished texts by the French philosopher.