Art as actions : a collection of Martel's essays and articles since the eighties.

First monograph devoted to the US-based British artist, known for his sculptures made from everyday objects and urban furniture (also available in English edition).

An essay on Novarina's dramatic theatrical and literary work.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

Honegger' eclectic writings since 50 years.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

Reference monograph.

An urban journey.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

Essay.

First monograph dedicated to the French architect.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

A book of sentimental structure of architectural souvenirs gathered during various trips. A collection of images of cities and edificies in alphabetical order beginning with Acapulco-Agra-Albuquerque…

Artist's book (photographs taken on the road).

A retrospective presentation of 10 years of creation resulting from the association of international contemporary artists and commissions for public works.

Exhibition catalogue on the theme of flowers.

Catalogue (with Giovanni Anselmo, Virginie Barré, Céleste Boursier-Mougenot, Serge Comte, Pascal Convert, Christoph Draeger, Jan Fabre, Roni Horn, Martin Kippenberger, Christian Marclay, Stéphane Sautour, Franck Scurti, Uri Tzaig, Didier Vermeiren, Clotilde Viannay, Rémy Zaugg, Michel Zumpf...).

A collection of essays on ten contemporary artists (Peinado, Achour, Sala, Cattelan, Huyghe, Scanlan, Trouvé, Bublex).

A b/w movie realized in digital video, on the road and between machines.

Three exibitions by Éric Troncy (with Robert Barry, Angela Bulloch, Jake and Dinos Chapman, Sylvie Fleury, Gloria Friedmann, Liam Gillick, Felix Gonzalez-Torres, Gucci, Pierre Huyghe, On Kawara, Anselm Kiefer, Bertrand Lavier, Claude Lévêque, Sol LeWitt, Allan McCollum, Sarah Morris, Helmut Newton, Philippe Parreno, Ugo Rondinone, Thomas Ruff, Niele Toroni, Xavier Veilhan, Andy Warhol, Franz West...).

The key book about French production company Anna Sanders Films.

Collection of interview and essays (Parrino, Morris, Armleder, Veilhan, Walsh, Mosset, Gygi, Miller...).

This publication assembles twenty years worth of social, aesthetic and philosophical reflexions that essentially place the individual within the contemporary community.

Chen Zhen talks to Daniel Buren, Hou Hanru, Eleonor Heartney, Emma Lavigne, Ken Lum, Enrico Lunghi, Yves Michaux, Hans-Ulrich Obrist, Jérôme Sans and Nari Ward and others who shared his adventure in art.

First monograph.

Dominique Gonzalez-Foerster's films and video works.

Documentation on selected works by Jens Haaning and texts.

Kawara's Date paintings, telegrams and books from the One Million Years series.

First monograph.

Dominique Gonzalez-Foerster's films and video works.

An artistic reflexion on science and images.

The Fluxus anthology.

This posthumous work is the first study of his friend Gustave Courbet (who requested a text for a catalog), and of the role of art in society.

The Confessions, written in six weeks in a prison cell, recounts the political life of a social thinker.

Proudhon's book against rights of ownership for authors, and collection of the most significant contributions toward the original debate over literary property..

Bernard Réquichot is well enough known as a painter, but still unknown as a writer. This new posthumous publication of his writings reveals the singular vision of a recluse, close to Stirner.

The last document of the dadasopher of Berlin.

The funny though serious inventions of the thinker, poet, prophet and annagrammarian.

An unknown, rarely published writer who nevertheless sent shock waves into the 60s and 80s by constructing a text worthy of a great rhetoretician on the game of alliteration.

An essay on Duchamp's readings, and a systematic chart of his personnal library.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

Relations between society and artists.

Those who spread their image over Internet, what do they want? And what do those who view them get out of it? Numerous are those who jumped on the bandwagon of the webcam, pushing its spectrum of video-surveillance and condemning it to voyeurism or exhibitionism. Far beyond the simplistic idea of opposing exhibitionist / voyeur, actor / spectator, active / passive, the webcam serves as a meeting point of exchanges, complicity, views of or relationships with others, what Nicolas Thély terms as "web-intimacy".