The first monographic book of the Belgium interdisciplinary art studio for architecture and urbanism LAb[au].

The method and genesis of Pierre Molinier's oeuvre with more than 800 pictures, mostly unpublished, numerous documents, manuscripts and letters, a complete chronology, a critical biography, and a text by Jean-Luc Mercié.

30 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by Philippe Bonan.

Reference monograph (available in English edition).

Catalogue of the second Rennes Biennal, focusing on the theme of the future and the thought surrounding it.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.

Retrospective monograph: a survey of Véronique Joumard's plays of light since 1985, with two essays and a conversation with the artist.

Catalogue of the second Rennes Biennal (available in English edition).

First monograph devoted to the visual work of the New York alternative art scene mythical figure (available in English edition).

A facsimile of the sketchbook made by the two artists for their first duo exhibition.

Over eighty architects and collectives from a variety of backgrounds who have in common ways of overstepping the frontiers of their respective disciplines, brought together under the theme of “the private and the collective”.

Reference retrospective monograph (available in English edition).

Emblematic videos and recent works by the duo.

Large format reference monograph with three long essays, more than 300 color illustrations, detailed presentation of Scurti's emblematic works: a complete overview of an oeuvre which, between aesthetic valorization of everyday objects and devaluation of traditional figures of art, simultaneously explores the socio-economic determinism of the individual and the possibilities of an emancipation, to which art participates.

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissionned essays.

First monograph: an overview of Lamouroux's wide range of practices (architectural installations, sculptures, works on paper, photos, videos), with two essays and an interview.

The method and genesis of Pierre Molinier's oeuvre (available in English edition).

50 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by artist photographer Gilles Berquet.

Shadows of witches, bats and black cats for a street public lighting commissioned work.

A set of anonymous texts and bikers images collected by Olivier Mosset.

The first book bringing together Mike Kelley's autobiographic works since 1995, and offering an overview of the development of Kelley’s practice.

Reference retrospective monograph: a complete overview of Lynda Benglis' work and life from the late 1960s to the present day, with more than 350 illustrations, about 20 historical or commissioned essays, an interview, famous and unseen archival material, and a complete chronology.

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces (also available in bilingual English / French edition).

The catalogue of the 10th edition, curated by Hou Hanru, from September 2009 to January 2010.

Catalogue of the first Rennes Biennal, exploring what artistic activity and corporate/business activity have in common (and what sets them apart): work and labour, creators of value. With 60 international artists (Adel Abdessemed, Boris Achour, Jean-Marc Chapoulie, Claude Closky, Hans Peter Feldmann, Robert Filliou, Claire Fontaine, Pierre Huyghe, Jean-Charles Massera, Mathieu Mercier, Gianni Motti, Jean-Luc Moulène, Simon Starling...).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces.

New works by French neo-pointillist artist.

The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

A series of works by international artists presented in the style of a natural history museum collection.

Documenting works by artists dealing with performative issues between the 1960s and today, this catalogue, gathering numerous essays, questions the nature and the relevance of “performative” objects in contemporary practices (also available in English edition).

Monograph (available in English edition).

First monograph devoted to the work of French artist/photographer: an uncanny typological inventory of social representations of mankind (and especially women), questioning the status of contemporary photograph, between documentary, constructed fiction and visual art.

Luxurious retrospective monograph, conceived in close collaboration with the artist, with three essays, an illustrated and commented chronology, major works since the beginning of the 80s, as well as many documents and exhibition views.

Limited edition of the monograph Opérations accompanied by a signed and numbered print (1-25) from the "Beyrouth, photographs" series (1984).

Reference monograph on the French artist (available in English edition).

A set of incisive, funny and poetic drawings by the Belgian artist, capturing the small events of his everyday life or sudden ideas which could become works.

Retrospective catalogue of the graphic design studio's works.

Complete monograph on a master of experimental cinema, with a general introduction on its œuvre, several essays, texts by the artist and interviews.

A performance of The Secret Machines conceived and filmed by Charles de Meaux.

Retrospective catalogue of the French art center.

The Institute for Contemporary Art in a two volumes boxset: memories, symposiums, conferences, images of the main exhibitions, specific projects.

Retrospective catalogue of the ancient rural synagogue transformed in a major contemporary creation space: installations views, presentation of each exhibition, artists' contributions and essays.

Reference retrospective monograph conceived by French artist Cécile Bart, with five essays and more than 200 reproductions, from her earliest screens/paintings, playing on the clearance of light in the diaphanous body of a fine film of Tergal cloth, to her most recent works involving threads of coloured cotton and wool.

Monograph dedicated to Swiss artist's words-images, presenting his most recent paintings, wall paintings, and installations, with 20 texts by art critics and artists friends of Robert-Tissot.

Monograph dedicated to one of the most daring sculptors of his generation, whose work generates a sense of mutability, instability and visual tension, derived from a mixed bag of references embracing Pop art, Minimalism, New Generation sculpture, Kinetic art and the Tropicalia movement.

A video work by Samuel Bianchini created as an extension to a dance solo by Paul-André Fortier, accompanied with a musical creation of Johnathan F. Lee.

A documentary conceived by the artist from the starting point of a former exhibition whose lightning system is made to flicker at a frequency of 7.8 hz. A compilation of dark-pop music from the eighties and the nineties emphazises the artist's capture of the flashing apparatus.

Exhibition catalogue around art and low resolution in new technologies.

This publication presents the 2004-2006 program of Forde independent contemporary art space (with John Baldessari, Philippe Decrauzat, Scott King, Wade Guyton, Mathieu Mercier, Mai-Thu Perret, Seth Price...).